DISSIDENZ INTERNATIONAL handles world sales of committed alternative and maverick arthouse films with a special focus on niches.

Dissidenz International’s catalogue updated on August 25, 2010:

KOJI WAKAMATSU FILMS

• A Pool Without Water (1982, color, 103′)
• Caterpillar (2010, b&w, color, 85′)
• Ecstasy of The Angels (1972, b&w/color, 89’)
• Go Go Second Time Virgin (1969, b&w/color, 65’)
• Naked Bullet (1969, b&w/color, 72’)
• Running in Madness, Dying in Love (1969, b&w/color, 72’)
• Season of Terror (1969, b&w/color, 78’)
• Secrets Behind The Wall (1965, b&w, 75’) Berlin Film Festival 1965
• Sex Jack (1970, b&w/color, 70’) Cannes Film Festival Directors’ Fortnight 1971
• Shinjuku Mad (1970, b&w/color, 66’)
• The Embryo Hunts in Secret (1966, b&w, 72’)
• The Woman Who Wanted To Die (1970, b&w/color, 71’)
• United Red Army (2008, b&w/color, 190′)
• Violated Angels (1967, b&w/color, 56’) Cannes Film Festival Directors’ Fortnight 1971
• Violence Without a Cause (1969, b&w/color, 72’)
• Violent Virgin (1969, b&w/color, 66’)

DOCUMENTARIES

• Kassel, 1930s: a German Trilogy (Oma, The Sour Grapes, The Absentees) (1996/1998/1999) by Catherine Bernstein
• Murder of a Hatmaker (2005) by Catherine Bernstein
• Jean-Claude Brisseau: the Angel and the Woman (2008) by Olivier L. Brunet
• Mitchell Leisen, The Esthete (2008) by Olivier L. Brunet
• Mutantes (Punk Porn Feminism) (2009) by Virginie Despentes

THE “WORK IN PROGRESS” COLLECTION

• The Good Old Naughty Days [deconstructed] (2009) by Cécile Babiole and Renaissance Man, with the collaboration of Michel Reilhac